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04/05/2005 10:29:04 PM · #76 |
Originally posted by srbrubaker: ...I wonder if there is an analogous thread on 'literal representation' vs 'creative interpretation' of existing 'works of art?' |
OK, let's touch on that one a bit. Look at the two images below. The first is simply a photographic copy of the painting. There is nothing to suggest the photographer's influence, and nothing to react to other than the artwork itself.

The second image shows more than just the painting. The reflections are something added by the photographer that make it uniquely his. Likewise, a photo from an obvious angle with a shallow depth of field, or a dramatic spotlight on the painting would demonstrate decisions made by the photographer . A legal entry should make you think, "a photographer's presentation of the artwork" rather than just "a photo of the art."
Photos of three-dimensional objects are largely immune to this rule since the photographer is presenting a particular point of view and lighting that may or may not be typical or as the sculptor intended. I suspect that a straight-on photo of a sculpture against a wall in a museum might still be DQ'd if there is only one "expected' way to view the artwork, and the photographer isn't providing anything more. Anything added to the scene that turns it into something more than just the art becomes exempt from the "literal artwork" rule. For example, a person standing in front of the museum scupture described above, or a macro of a fly on Mona Lisa's nose. |
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04/05/2005 10:35:31 PM · #77 |
Let's suppose ,,, oh never mind. Back to the original thread...
Message edited by author 2005-04-05 23:07:13.
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04/05/2005 11:04:15 PM · #78 |
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