Author | Thread |
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03/07/2013 10:16:40 PM |
Stumbled on this. It's great! |
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Photographer found comment helpful. |
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12/12/2012 09:18:18 AM |
Another beauty, looks like the middle bridge is part of the machine which interacts with the half bridge to the right. Happy accidents and happy outcomes. |
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Photographer found comment helpful. |
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10/23/2012 11:21:19 PM |
This is great Brian. A wonderful surprise. |
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Photographer found comment helpful. |
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10/22/2012 01:42:04 PM |
Actually the overlap makes it look more like a deliberate montage than the bad pano you suggest -- I like the effect. Consider some selective tone adjustments to even it out -- I think it'll look great. |
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Photographer found comment helpful. |
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10/22/2012 01:15:43 PM |
I have the feeling I should follow the yellow brick road...;-) |
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Photographer found comment helpful. |
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10/22/2012 07:57:45 AM |
Originally posted by MelonMusketeer: Another way would be to put a little springy item inside the camera that would line up with the sprocket holes and click as the holes move along. You could then listen or feel, to count the "clicks" in order to know when the film is advanced far enough for the next frame. |
Thanks Waddy. That's exactly what I'm doing (see last night's post in the " Unconventional filters..." thread). Problem is the clicks weren't very audible. I think I fixed it. |
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10/22/2012 12:50:37 AM |
To me, it looks a lot more interesting than a technically classy stitched pan. The way the images slosh into each other is great, creating their own world of fantasy to stir the imagination. Definitely good stuff.
My thoughts are that if you wish to work out a way to have the advance calibrated a little better, you may try spooling a roll of 35mm film exposed with a regular camera into this camera, so you can see how far you have to turn the film advance to move ahead one frame. Check near each end of the roll, and if it's a lot different at the long end and short end, adjust as you go and maybe it will work out.
Another way would be to put a little springy item inside the camera that would line up with the sprocket holes and click as the holes move along. You could then listen or feel, to count the "clicks" in order to know when the film is advanced far enough for the next frame.
Message edited by author 2012-10-22 00:53:49. |
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Photographer found comment helpful. |
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10/21/2012 11:55:46 PM |
Love how everything blends together. The blur and sharpness is nice. |
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Photographer found comment helpful. |
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10/21/2012 11:04:11 PM |
ooh, monsters and toys, train set, erector set.
we should have a "badly stitched panorama" challenge. |
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Photographer found comment helpful. |
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10/21/2012 09:38:24 PM |
It 'sort of works' very well. For this side challenge it works brilliantly. |
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Photographer found comment helpful. |
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