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03/07/2014 03:32:42 PM |
I shared the reaction of mariuca quite closely. I didn't feel any convincing connection with the title 'depression' (not that I need to, in order to appreciate your photographs). Some held my attention longer than others.
The person with shadow is really quite excellent; it's remarkable how much more complex the shadow makes the viewer's reaction to the person.. .the feeling I got was that either the person or the photographer was saying, "You don't know me. You don't know what I think; what I feel." It's a sobering lesson for the viewer prone to over-hasty dismissal (e.g. me). It's also amazingly Picasso-like! The form and the lines (especially the shoulder line), the posture, the tilt and rendering of the head; it's all pure PP.
But the most interesting picture in the essay is this one:
That one is worth following somewhere, so if you ever felt moved to pursue that thread I'd be an excited follower.
Thank you.
Message edited by author 2014-03-09 19:37:46. |
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Photographer found comment helpful. |
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03/05/2014 07:43:18 PM |
Interestingly enough you did not post on your portfolio the first image that I saw on your link for this essay. I don't miss it since these are the most powerful ones.
They are highly introspective. Each one formulates another question and asks for some explanation. I do not associate any with the title you gave your essay but this is a minor thing. You asked yourself a few important things and you only will generate an answer.
I feel like you will need to elaborate more on each image, to continue each thread, each idea. I look forward to it.
My favorites are the least "abstract" pictures where I can recognize your unique way of looking and processing: this picture, #2 the little bear and #3 that could be titled "who are we, where are we goingâ€Â¦."
You continuously strive for more ways in your photography and I salute you for this. |
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Photographer found comment helpful. |
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