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Wrenchin'
Wrenchin'
cbeller


Photograph Information Photographer's Comments
Challenge: Candid II (Advanced Editing III)
Camera: Nikon D70
Location: Garage
Date: Jan 1, 2005
Aperture: f/2.8
ISO: 250
Shutter: 1/60
Galleries: Candid, Black and White
Date Uploaded: Jan 1, 2005

Wife's uncle putting motor back together with his son.

Taken at the same time as my Resolutions entry. Hope people don't vote down because they recognize the person from another challenge entry.

Crop, level & curves, convert to B&W quadtone, resize, USM.

Statistics
Place: 97 out of 173
Avg (all users): 5.3033
Avg (commenters): 6.6667
Avg (participants): 5.1023
Avg (non-participants): 5.4472
Views since voting: 899
Views during voting: 311
Votes: 211
Comments: 3
Favorites: 0


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AuthorThread
 Comments Made During the Challenge
01/09/2005 03:36:35 PM
Nice shot, Chris...did you think no one would notice? 9
  Photographer found comment helpful.
01/05/2005 11:02:10 AM
Technically a good shot, but the clutter on the right half and the fact that I can't really see what he's doing detracts from the impact of this image.
01/04/2005 01:14:29 AM
There's a lot to like in this image, but a number of things are detracting as well.

Good points: sharpness of, and expression on, face. It's a nice study of concentration. Also the tonalities are rich, it's a good B/W conversion, mellow and smooth.

The croppung seems off to me; the truncated head is arbitrary, the space below the elbow is not doing anything. I tried cropping most of that lower space off and bringing the right edge in so I couldn't see any of the "77" in the background, and this was a tighhter & stronger crop to my eyes. Often, with candids, the crop will make or break the image.

It's unfortunate that the mechanic's hand and the rag are not also sharp. The hand, especially, could be a vital part of the image, but it's not. It looks like if you'd pul;led focus forward a bit, your DOF would have been ample to have had hand and face both sharp.

Finally, and this is critical, the wall behind the head is too bright, and it is pulling my eye in the wrong direction; I want to be following the direction of his gaze, but the eyetrap in upper left is oulling me the other way.
  Photographer found comment helpful.


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