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Yellow Door  Express
Yellow Door Express
jjbeguin


Photograph Information Photographer's Comments
Challenge: Bridges II (Basic Editing III)
Camera: Sony DSC-F828
Location: Geneva
Date: Feb 15, 2005
Date Uploaded: Feb 15, 2005

N/A

Statistics
Place: 146 out of 424
Avg (all users): 5.6035
Avg (commenters): 6.3810
Avg (participants): 5.4192
Avg (non-participants): 5.7784
Views since voting: 1099
Views during voting: 438
Votes: 343
Comments: 23
Favorites: 2 (view)


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AuthorThread
02/23/2005 06:41:43 PM
I can just imagine this printed large, just beautiful stuff.
  Photographer found comment helpful.
 Comments Made During the Challenge
02/22/2005 04:00:49 PM
Too dark. Kiied the details
  Photographer found comment helpful.
02/21/2005 01:48:56 PM
I like the desaturation effect here. The foreground is exceedingly dark, but I feel that it fits with the overall effect of the photo.
  Photographer found comment helpful.
02/20/2005 10:41:22 PM
Great use of specific areas of color. I would like to see just a bit more detail on the right hand side.
  Photographer found comment helpful.
02/20/2005 10:24:57 PM
The yellow doors feel too odd. The track line isn't straight. The middle area is much too dark. But, gosh - the sense of "Circle" arcing above and seemingly under that lush body of water is wonderful.
  Photographer found comment helpful.
02/20/2005 07:34:58 PM
Looks a bit oversharpened, and I feel that its too dark overall, but especially on the right. you can't see any detail there. I like the idea, and the bridge itself
  Photographer found comment helpful.
02/19/2005 04:19:01 AM
Nice bridge but a little dark and the selective saturation is a bit distracting. It makes me look at the train more than the bridge.
  Photographer found comment helpful.
02/17/2005 08:39:27 PM
This is a cool picture, but some of the darker parts are a bit too dark. It would be nice to be able to make some shapes out on the shoreline.
  Photographer found comment helpful.
02/17/2005 08:12:33 PM
how'd you accomplish this in the basic edit?
  Photographer found comment helpful.
02/17/2005 05:25:31 PM
I like this picture a lot. Love the coloring and visually it is very pleasing. I gave it a 10.
  Photographer found comment helpful.
02/17/2005 10:19:33 AM
interesting idea to pull out the yellow
  Photographer found comment helpful.
02/17/2005 09:28:34 AM
Compozition is nice but too much of black water as its not main subject. Also contrast bit overdosed i think.
  Photographer found comment helpful.
02/17/2005 07:30:06 AM
this is really nice, arty, thanks :)
  Photographer found comment helpful.
02/16/2005 10:38:36 PM
good composition but much of the detail of the bridge is lost in the shadows.
  Photographer found comment helpful.
02/16/2005 10:27:46 PM
A little dark, would have liked to see some detail on the far bank. Good comp and I like the selective desat with the doors :)
  Photographer found comment helpful.
02/16/2005 03:53:21 PM
Gorgeous! The desaturation really works for this; the yellow draws the eyes to the top of the bridge and the deeply shadowed black and white really give the scene a delicious sense of foreboding. Brilliantly composed and wonderfully clear. Fantastic work!
  Photographer found comment helpful.
02/16/2005 12:58:03 PM
i think that this would have been a better photo if it was all black and white. the yellow doors are distracting.
  Photographer found comment helpful.
02/16/2005 12:54:06 PM
fantastic! makes the yellow really stand out!!!
  Photographer found comment helpful.
02/16/2005 12:20:24 PM
I dont know how You folks do it, so that it still goes under the Basic Editing Rules, but i want to belive there is a way...

An 8.
  Photographer found comment helpful.
02/16/2005 03:24:05 AM
I like the motion of the water, not sure of the border though
  Photographer found comment helpful.
02/16/2005 02:01:03 AM
nice contrast here...very nice job
  Photographer found comment helpful.
02/16/2005 01:29:17 AM
nice editing!
  Photographer found comment helpful.
02/16/2005 12:17:18 AM
Love this. 10
  Photographer found comment helpful.


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