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07/05/2005 04:14:42 AM |
| Definitely underrated. Fantastic photo. |
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 Photographer found comment helpful. |
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07/04/2005 02:36:33 AM |
| I thought this was a ribbon winner for sure. Great job. |
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| Photographer found comment helpful. |
Comments Made During the Challenge  |
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07/03/2005 11:33:57 PM |
Superb timing of being in the right place at the right time.
Well Done! One of my favorites in the challenge (9) |
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07/03/2005 10:04:15 PM |
| Great leading lines with that spiritual suggestion. Bumping up. |
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07/02/2005 08:18:08 PM |
| Yeah, hope you took a bunch of others around this too ... nice rays and a great setting. |
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| Photographer found comment helpful. |
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07/02/2005 10:11:55 AM |
| The tree makes a good silhouette against the rays of light. I feel that there are a couple of bright spots on the ground in the bottom right that could be cloned out. |
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07/01/2005 05:19:28 PM |
| Striking centred composition and great use of light, shade and shape. That lone tree seems so frail against the onslaught of what seem like such heavy and menacing clouds and yet it's illuminated by gentle and golden rays. I don't like that line of light at the edge of distant clouds at the lower left and would clone it out myself as it leads my focus away from the wonderful tree. 9 |
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06/30/2005 04:15:06 PM |
| nice picture, i like the mood it creates. I'd suggest cropping the left a little to get rid of those dark objects over there, i just find them distracting. 8 |
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| Photographer found comment helpful. |
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06/30/2005 07:41:59 AM |
| How pretty. I love captures like this with those sunrays shining down on your scene. Unmistakable leading lines. |
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06/29/2005 10:20:08 PM |
| What a fabulous photo. Great shot. |
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| Photographer found comment helpful. |
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06/29/2005 04:52:24 PM |
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| Photographer found comment helpful. |
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06/29/2005 02:55:34 PM |
| This would have worked better for me if the tree clump on the left side of the frame were cropped off. 6 |
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06/28/2005 06:21:16 PM |
Leading lines or curves generally have two purposes. One is to lead the viewer into the scene. The other is to lead you toward the main subject. It is most effective if they come in from the lower left because that is the natural direction humans visually scan a picture from so are easiest to pick up.
Attention is drawn to both the opening in the clouds which is into the scene AND the silhouetted horizon. |
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06/28/2005 03:56:16 PM |
| Ominous! WOW! I'd love to know how you did it! One of my favorites! |
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| Photographer found comment helpful. |
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06/28/2005 03:07:55 PM |
| pretty picture but better suited for the Darkness challenge imo |
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| Photographer found comment helpful. |
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06/28/2005 12:10:01 PM |
| If the top of the tree were a bright green and the rays alittle brighter, this shot would be a money maker! Good job! |
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| Photographer found comment helpful. |
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06/28/2005 05:13:42 AM |
| This is very effective use of leading lines on a couple of levels. First there's the beams of sunlight, of course. But there's also the near mirror-image of the hill and the clouds, which also work together to concentrate the viewer's attention on the same central area. I also like the fact that you're confident enough to know when to put aside the rule of thirds & go for a symmetrical composition, which is just right for this image. 9 |
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| Photographer found comment helpful. |
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06/27/2005 04:16:07 PM |
| Excellent composition and lighting. Beautiful. One of my favorites in this challenge. |
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| Photographer found comment helpful. |
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06/27/2005 02:24:52 PM |
| Cool having the tree in the middle .. like "someone" is sending linght to it. |
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| Photographer found comment helpful. |
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06/27/2005 01:53:19 PM |
| Nice dramatic lighting...love that lonely little tree in the center. |
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| Photographer found comment helpful. |
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06/27/2005 01:52:49 PM |
| wow...really like the lighting in this shot. |
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| Photographer found comment helpful. |
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06/27/2005 01:15:12 PM |
| very dramatic picture, love it |
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| Photographer found comment helpful. |
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06/27/2005 12:24:19 AM |
| Simply stunning. WOW. 10!! BRAVO |
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| Photographer found comment helpful. |
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