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Unsanded Oak
Unsanded Oak
neophyte


Photograph Information Photographer's Comments
Challenge: Wooden (Advanced Editing IV)
Camera: Olympus C-5000Z
Location: Hartford, CT
Date: Jul 24, 2005
Aperture: 3.4
ISO: 80
Shutter: 1/50
Galleries: Snapshot, Candid
Date Uploaded: Jul 24, 2005

Taken with a 4x multiplier. adjusted levels, cropped, brightness and contrast sharpened a bit and saved for web

Statistics
Place: 193 out of 251
Avg (all users): 4.8370
Avg (commenters): 0.0000
Avg (participants): 4.5701
Avg (non-participants): 5.2078
Views since voting: 693
Views during voting: 235
Votes: 184
Comments: 2
Favorites: 0


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AuthorThread
08/01/2005 09:21:56 AM
Honestly speaking, this is a drab photo. While it met the challenge perfectly there's no interesting aspect to it. At the end of the day...no matter how well photographed this might be, it's still just the corner of a piece of wood (with a sander).
  Photographer found comment helpful.
08/01/2005 07:37:34 AM
You've got good, strong lines in this, which is good -- but, by being nearly balanced left and right, they unfortunately don't lead the eye anywhere. Changing the perspective to a more dynamic shift in balance, enough to create a strong diagonal with the edge of the wood would (hehe) create a greater sense of depth to the shot and give the viewer's eyes incentive to move across the image. This could further be reinforced by moving the sander away from nearly directly above the corner of the wood.

The other thought I had is to add more contrasting subject matter. I don't mean in terms of light, but rather in terms of creating a dichotomy of subjects. To be precise, the subject is unsanded oak -- by adding a sample of sanded oak to the scene the unsandedness of the oak is set in greater contrast against what it could become.

This dichotomy is already present, created on a predictive level by the inclusion of the sander. This gives the image momentum into the future -- leading the viewer to predict what is to be done to the wood. This tells me you had this in mind (at some level) when composing the image.

Most of the elements are present, but I feel the image would benefit from a more obvious and forceful control of the viewer -- both within the scene and in their predictions.

David
  Photographer found comment helpful.


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