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jjbeguin


Photograph Information Photographer's Comments
Challenge: Architecture III (Advanced Editing IV)
Camera: Sony DSC-F828
Location: Geneva Switzerland
Date: May 27, 2006
Date Uploaded: May 28, 2006

N/A

Statistics
Place: 207 out of 281
Avg (all users): 5.2111
Avg (commenters): 5.8000
Avg (participants): 5.1111
Avg (non-participants): 5.3333
Views since voting: 842
Views during voting: 271
Votes: 180
Comments: 7
Favorites: 0


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AuthorThread
06/06/2006 06:54:01 PM
Now I think everyone misunderstood here: the first impression is of an opening of light at the end of the tunnel - the cliche is perhaps doubly apt because of the use of it photographically - and the alighting of the eye on the number causes a wonderful disorienting shift in perspective, and does indeed produce the more ironic effect in the title. Fun image.
  Photographer found comment helpful.
06/05/2006 02:10:46 AM
this picture have that modern, futuristic feeling about. maybe it's the glossy glass, or the strong straight edgy lines, or maybe it's that number 30 on the bottom. The bluish tint on the glass also lend to the neon-like overall feeling. That's my impression looking at the photo, I'm not sure if that's the message you were trying to convey?
  Photographer found comment helpful.
 Comments Made During the Challenge
06/04/2006 03:40:09 PM
Highly interesting...nicely done.
  Photographer found comment helpful.
06/04/2006 07:17:47 AM
Oh, yes. It's everything except welcoming, isn't it? I deeply admire this sort of photograph; it's so much harder to find, capture and process than it looks. Architecture for masochists, maybe? Bravo. 9.
  Photographer found comment helpful.
06/02/2006 09:39:37 AM
The foreground is a dark, brooding image; the background is light and nicely colored - the overall efect is confusing.
  Photographer found comment helpful.
05/29/2006 08:27:44 AM
Sorry, but on my monitor this is simply too dark.
  Photographer found comment helpful.
05/29/2006 02:54:33 AM
Hard to destinguish....4
  Photographer found comment helpful.


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