| Author | Thread |
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03/09/2009 11:38:32 AM |
| is this like where you sleep, how do u have time to take picks there are bombs out there? I think.... |
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 Photographer found comment helpful. |
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09/29/2007 06:41:20 AM |
| I really like this photo (actually the whole series) - the warmth of the lighting, the softness of her face contrasting against the harshness of the location is quite amazing. |
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| Photographer found comment helpful. |
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09/17/2007 11:19:53 AM |
| There is a nice warm golden light here shining on your main subject. She is bathed in warm tones that compliment her skin tone and the highlights in her hair. Her poise is a relaxed casual shot with a little bit of surprise because she seems to me to have looked up just as you snapped the shot. This is a good capture of a candid moment Ă¢€“ caught as one would see it and not staged. I think the visual impact would be stronger if you cropped it better to compliment your subject or zoomed the camera in to bring us closer to your main subject. Fill the frame with more of your main focus, which is the lady soldier. She is the main focal point of your composition and you should show us more of her aglow in that golden light and less of the surroundings which really donĂ¢€™t add much to the shot. Cropping it to just below the butt of the rifle and at her extended knee will show us more of this woman of the battlefield by bringing her more to the front & center of the photo composition. You might also want to bump up the brightness and contrast to show more detail of her shirt, hands, and rifle that get lost a tad in the shadows. |
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| Photographer found comment helpful. |
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09/14/2007 11:29:52 AM |
| Dang, you learned a thing or two at the GtG, didn't you? Love the light! (Recognize it, too. Now I just need to start finding pretty girls...) |
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| Photographer found comment helpful. |
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09/12/2007 10:53:01 PM |
| This is a great picture with the golden light and such. But I think you should re-shoot it with her not looking at the camera. |
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| Photographer found comment helpful. |
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