| Image |
Comment |
| 11/28/2008 11:40:08 PM |
Among the Treesby tooterComment: A bit blue, I can't say if it was intentional or not, but I don't think it adds much here. A lower angle might help strengthen the composition. |
 Photographer found comment helpful. |
| 11/28/2008 09:14:08 PM |
The Bench Warmerby JeniYComment: Can't really find anything wrong with this shot, but it doesn't really create any emotional connection for me. |
| Photographer found comment helpful. |
| 11/28/2008 09:12:49 PM |
Waiting for Springby AKPhotoGalComment: Already!!! Settle in and enjoy the beautiful white landscapes like this one. There will be quite a few more... |
| Photographer found comment helpful. |
| 11/28/2008 07:32:00 PM |
La Bourgeoisieby simplesilentComment: Nice. The subtle deviations from an otherwise symmetrical composition add to the beautifully disturbing ambiance. |
| Photographer found comment helpful. |
| 11/28/2008 07:21:53 PM |
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| Photographer found comment helpful. |
| 11/28/2008 07:19:08 PM |
The Viewby trevytrevComment: Nice use of the wide format. The IR is well done, and works here. Just watch the tilted horizon. |
| Photographer found comment helpful. |
| 11/28/2008 07:17:08 PM |
Anti-Socialby neophyteComment: Very nice. The concept is immediately recognizable. It might not work at all, but I'd try cropping the top a bit. The buildings are a bit distracting. |
| Photographer found comment helpful. |
| 11/28/2008 07:14:50 PM |
Baglady at Sunriseby CuttoothComment: Among a sea of potentially exploitative street candids, this has a bit of interesting context. Thank you for deemphasizing the subject and adding an interesting scene. The framing from the trees along the top edge works well. |
| Photographer found comment helpful. |
| 11/28/2008 07:11:51 PM |
Sunday's eveningby the99Comment: This is an interesting scene, but the centered comp adds nothing. Loose the lamppost on the right and tighten this up a bit. |
| Photographer found comment helpful. |
| 11/28/2008 07:09:27 PM |
Waitingby sfaliceComment: Interesting scene, but the angle/composition is neither here nor there. Make a statement with perspective, get low, or high up, or close, or back up to add context. |
| Photographer found comment helpful. |
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