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| 03/01/2006 01:57:50 PM |
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 Photographer found comment helpful. |
| 03/01/2006 10:42:28 AM |
Touching by JulieGComment by aznym: Lighting, composition, detail and tones ... just brillaint!
I am sure 640px, 150k limit isn't doing it proper justice. |
| Photographer found comment helpful. |
| 03/01/2006 07:24:46 AM |
Touchingby JulieGComment by hotpasta: excellent shot...this is a breathe of fresh air after the last 100 photos which I think were really trashy! excellent lighting and composition, true to challenge, hope you ribbon 9 |
| Photographer found comment helpful. |
| 03/01/2006 07:04:29 AM |
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| Photographer found comment helpful. |
| 03/01/2006 06:23:49 AM |
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| Photographer found comment helpful. |
| 03/01/2006 01:27:27 AM |
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| Photographer found comment helpful. |
| 03/01/2006 12:44:39 AM |
Touchingby JulieGComment by Jutilda: I knew there would be pictures of clasped hands, but this is artful and I like the filter used. Nice lighting and detail. This has more than just the expected. |
| Photographer found comment helpful. |
| 02/15/2006 09:01:19 AM |
Smashedby JulieGComment by JulieG: Oh and another thing I learnt from this challenge is that three smaller passes with the smart sharp filter in CS2 is better than one big one. Message edited by author 2006-02-15 09:02:33. |
| 02/15/2006 07:50:38 AM |
Smashedby JulieGComment by JulieG: I've always admired those clear glass pictures with no reflections, but thought it would be too hard to do, so never attempted it until now.
Decided my shower looked like a light tent so tried shooting glass in there - bad idea. Horrible white reflections all over the glass. Then I read hughletheren's excellent "How'd They Do That?" tutorial. //www.dpchallenge.com/how.php?HOW_ID=38 The secret really is to shoot with the light coming from behind the glass. Used exactly the same set-up with one 580EX on each side pointed at the background, and immediately got excellent (for me) results.
Next step is to introduce more movement, like above ribbon winner, IreneM (congrats btw). The beauty of shooting still-life is that you can leave all your equipment in place between shoots. Message edited by author 2006-02-15 13:35:00. |
| 02/15/2006 02:58:54 AM |
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| Photographer found comment helpful. |
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