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| 05/06/2012 10:03:27 PM |
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| 05/05/2012 12:24:58 PM |
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| 05/02/2012 03:33:46 PM |
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| 04/30/2012 12:03:59 PM |
Picture Perfect Afternoonby cowboy221977Comment by snaffles: Greetings from the Critique Club!
Pleasant scene, and glad that the one commenter was mistaken, thinking the frame of the railings had been added in pp. Though I have to admit it does look like it could have been added later.
Good use of thirds with the boardwalk leading us into the shot, but once again it needs a bit more pop in terms of colour (without going overboard of course) and something in terms of a subject on the boardwalk to break up the scene and create a focal point. Right in that bend of the boardwalk, someone coming or going would have been great and given more of a sense of purpose to the shot.
You're dfinitely improving in terms of technicals, Adam; now's the time to start getting the creative side going and give us a little more to see.
Feel free to PM me
Susan |
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| 04/24/2012 11:08:33 PM |
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| 04/24/2012 11:46:22 AM |
The Road Not Takenby cowboy221977Comment by snaffles: Greetings from the Critique Club!
Hmm, most of the commenters have pretty much covered the bases here of what I would have said. It's in focus and not centred in terms of comp but does need a subject in the road to help break up the lines a bit and add a focal point, as my eye is also expecting to see the road leading to something. I can see the effect you're going for, a nice winding path/road through the woods dappled with tree shadows, but in order to pull that kind of shot off, especially with only the road/woods as subject...it better be a helluva road! The hard sunlight isn't doing any favours; early morning or late afternoon when the light's low may have added more atmosphere. And if the area is as rural as it looks, you'd be more likely to have a subject in the form of a deer or similiar critter come wandering along...better than simply just getting heavy-handed with the pp to rescue the shot. And again, a lower POV, or higher, anything other than a shot-at-standing-eye-level. Try it. Get on your belly and shoot up at things, and do the opposite too. Use the 18mm end of your camera to get some idea as to a wide-angle effect as much as you can with a kit lens.
So not a bad shot in itself but does need a little more work, in terms of setup and execution imho.
Feel free to PM me,
Susan |
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| 04/21/2012 09:18:39 AM |
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| 04/18/2012 09:11:28 PM |
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| 04/18/2012 06:15:40 PM |
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| 04/18/2012 09:47:55 AM |
The Road Not Takenby cowboy221977Comment by Yo_Spiff: Regarding the lighting mentioned in doremi's comment. I think my own entry is very similar to yours in many aspects, so perhaps it may make a good comparison. The lighting in mine was mid to late afternoon. It was a partly cloudy day with hazy sun, so there was a bit of a softbox effect, but still some mottled shadows. I have other shots of this same scene taken on a different day, with bright overhead sun, and they didn't have nearly as much potential to them as the one I entered. The differences are subtle, but the outtake has much harsher and less flattering shadows and highlights to deal with. I also did much more in the way of PP to the entry, of course, but I hope this helps with the "seeing the light" idea. I'll often get a pic of a scene I like, but the light stinks and I know I can't get what I want out of it.
Would love to have a crack at yours, if you would like to see what someone elses edit might look like. That's often a good learning experience for both. Message edited by author 2012-04-18 09:49:52. |
Photographer found comment helpful. |
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